![]() ![]() “We hope to shine a light on how diverse Brazilian cinema can be,” says member Iuli Gerbase, director of Sundance entry The Pink Cloud. We also share creative feedback on our projects, such as on each others’ scripts or work-in-progress edits.” “But we also address our big picture needs as a collective, such as finding ways to promote visibility towards our work as Brazilian filmmakers working internationally, both individually and collectively. “Our meeting agendas include our everyday challenges as artists such as ‘how to get proper representation as filmmakers’ or ‘how to best navigate the complex film festival circuit,’ or even ‘how to find a producer who’s a good fit for a particular project,’” explains member Débora Souza Silva, director of Black Mothers, an SFFILM and Sundance Labs-supported documentary feature currently in post-production. “Everything started very organically, with some of us calling one another, asking for creative advice or career recommendations, and then there was that moment when we realized we should start supporting each other more rather than competing against each other,” says member Alexandre Moratto, director of Netflix’s 7 Prisoners. “For us, it’s very important that our group and the stories we want to tell reflect the reality of our country and our cultural identities,” says member Rafael Thomaseto, director of MixBrasil Festival entry Próprio. Collectively, their work has addressed immigration, LGBTQIA+ issues, gender issues, racial and economic justice, and health and technology. ![]() 'BlackBerry Review: A Biopic Of A Smartphone Turns Out To Be As Triumphant And Tragic As 'Elvis'ĭespite the differences in approach and styles, BRFC artists share a common interest in using their work in their examinations of contemporary issues impacting global communities, in particular those in Latin America. ![]()
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